a form of rejection emerges from an ongoing project that explores different states of presence and outsideness. The exhibition addresses transparency and so-called open structures as an ideal and premise for our collective social organization, and looks closely at how the body encounters such “open” structures and glass facades in urban space. Materials collected in Brussels and Oslo in 2025 are preserved as casts, samples, stolen goods and prints, and juxtaposed with construction materials such as steel and glass.
The exhibition consists of a series of modular sculptures as well as a floor work in pigmented wool.